Panel 1: Images, Texts, Reality
Accepted Speakers
Silvia Barbantani (Universitŕ Cattolica del Sacro Cuore, Milano, Italia)
The Glory of the Spear. Neoptolemos at Tlos and other epigrams for Ptolemaic soldiers
Inge Belamarić (First Grammar School, Split, Croatia)
Writing by candlelight: the lucubratio as topos from Cicero to Marko Marulić
Nina V. Braginskaya (Russian State University for the Humanities, Moscow, Russia)
Genesis and Structure of the Dialogue in Front of an Image and the "Eikones" of Philostratus the Elder
Dee L. Clayman (City University of New York, USA)
The "Straight Canon of Truth" in the Indalmoi of Timon of Phlius
Girolamo F. De Simone (St. John’s College Oxford, United Kingdom) / Yvona Kristina Trnka-Amrhein (Harvard University, USA)
Just souvenirs? Why the glass flasks of Puteoli contain more than just a snapshot
Fátima Díez-Platas (Universidad de Santiago de Compostela, España)
Dionysos’ Herz: Gott und Efeu. Zeugnisse in Bildern und Texten
Anise A. G. D'O. Ferreira (State University of São Paulo)
Labor and τέχναι in the language of Artemidorus' dreams
Marco Formisano (Humboldt-Universität zu Berlin, Deutschland)
Menage à deux. The panegyrist, the contract and the mirror
Lía Margarita Galan (Universidad Nacional de La Plata, Argentina)
Tiresias romano: Imagen del Adivino en Oedipus de Séneca
Ragnar Hedlund (Uppsala University, Sweden)
Coin-Imagery of the Soldier-Emperors and the Creation of Roman Imperial Imagery: Approaches and Observations
Mihaela Iacob (Institutul de Cercetãri Eco-Muzeale, Tulcea, România)
Numismatique et religion. La figuration de Dionysos et d’Apollo sur les monnaies de la province de Mésie Inférieure
Giorgio Ieranò (Università di Trento, Italia)
"Beautiful as in a picture": Greek Tragedy and the Art of Painting
Ivan Jordović (University of Novi Sad, Serbia)
The Evolution of the Image of the Tyrant Demagogue and its Foundation in Reality
Maria Kasyan (Russian State University for the Humanities, Moscow, Russia)
The Divine Bees - gens aeterna
Stephanie Langer (Universität Leipzig, Deutschland)
Griechische Kunst als literarisches Exemplum – ein Spiegel römischer Lebenswirklichkeit?
Lena Larsson Lovén (University of Gothenburg, Sweden)
The importance of being commemorated: Men and women in Roman funerary iconography
Ana Maria dos Santos Lóio (Universidade de Lisboa, Portugal)
Commemorating events: Statius 4.3 and Tibullus 1.7
Émeline Marquis (Université de Paris Sorbonne (Paris IV), France)
Montrer, dire et manipuler : qui est le dupe des morts apparentes dans le roman grec?
Susanne Moraw (Deutsches Archäologisches Institut Berlin, Deutschland)
Die Odyssee in der Spätantike. Zu Möglichkeiten und Grenzen der Allegorese
Boris Nikolsky (Russian State University for the Humanities, Moscow, Russia)
Phidias' and Homer's Images of Zeus in Dio's Olympian Oration
Francisca Pordomingo (Universidad de Salamanca, España)
L'Épigramme sur la statue de Kairos (Posidippe, A. Plan. 275): image, texte, réalité
Marika Rauhala (University of Oulu, Finland)
Between Image and Reality - the Cult of Cybele in Classical Greece
Daniel Rinaldi (Universidad Nacional Autónoma de México)
Intertextualité chez Philostrate
Serena Salomone (Università degli Studi di Genova, Italia)
Once upon a time there was a donkey… (Il Romanzo d'Esopo 59-64G; Plutarco, Septem Sapientium Convivium 150D ss.)
David Sider (New York University, USA)
A Reading of the reading scene on the Douris schoolroom vase in Berlin
Yoana Sirakova (Sofia University, Bulgaria)
The Image of the House in Ovid's Tale of Philemon and Baucis
Michael Squire (Christ's College, Cambridge, United Kingdom / Humboldt-Universität zu Berlin, Deutschland)
The art (and text) of illusion in the Casa degli Epigrammi, Pompeii
Molly Swetnam-Burland (College of William and Mary, USA)
Authenticity and Ethnicity: Egyptian art-works, made in Italy
Sjarlene Thom (University of Stellenbosch, South Africa)
The lyric reality in Horace Odes 3.7–12
John Whitehorne (University of Queensland, Australia)
An anti-hero's heroes: Archilochus between Odysseus and Telephus